Paul Spong and Helena Symonds are legends in the field of whale research; since the early 1970’s they’ve dedicated themselves to studying orcas from their independent lab on an island between Vancouver Island and the mainland.  Over those many years, they’ve accumulated 20,000 hours of tapes, which are now being digitized and cleaned up (to remove hiss and other noise and make the orca calls more prominent) by George Tzanetakis of the University of Victoria.  A recent article in the Toronto Globe and Mail focuses on Tzanetakis’ work, which is being posted online for researchers and curious listeners as the Orchive.  The entire collection isn’t online yet, but there’s plenty!

Those of us  who know the pleasures of cueing up Newport Jazz or good ol’ Grateful Dead shows from online taper archives like Archive.org and Bill Graham’s Wolfgang’s Vault will be familiar with the scope of this project: right now I’m nearly half-way through a 45-minute “set” from 9/1/05 known on the Orchive as Tape 449A.  As with jam band and jazz taper archives, the quality is decent though not crystal clear, creating a great background stream of pleasurable audio, ebbing and flowing from quiet and calm to more active, interspersed with moments of truly exciting interplay and melodic joy.  The audio is presented with a basic spectrogram, and even field notes (the scientific version of Dick Latvala’s show notes):

A sweet set from 9/1/05

Visit the Orchive!

A key research paper from National Park Service and Colorado State scientists has been published in Trends in Ecology and Evolution.  The paper, which got a lot of press when it was first made available online in the fall, introduces two key new metrics for measuring the effects of noise on animals.  The first, “alerting distance,” is the distance at which sounds can be heard: these may be sounds made by a species to alert others to danger, or sounds made by predators (which prey animals want to hear, so as to take cover).  The second, is “listening area,” the full area around an animal in which it can hear other animals’ calls, footsteps, and wingbeats.  A key insight offered by this approach is that even moderate increases in background noise (from nearby roads, airplanes, or wind farms) can drastically reduce an animal’s listening area.  The paper, which was free while in pre-press, is now available only to subscribers to the journal or other academic journal services; an article published in Park Science magazine and free to view online introduces much of the same material (be sure to click on the links to the figures, as they illustrate the concepts very well): see the article here, and check out the entire special soundscapes issue of Park Science here.

A very good article in the Aspen Times introduces the research, and includes many extremely insightful quotes from the researchers.  Go read the whole article! Three bits that are especially worth keeping mind are:

• “The male sage grouse, in its mating displays, produces high-frequency popping sounds and swishing sounds,” Fristrup said. “It also uses a low-pitch hooting sound, which carries the farthest from the display area as a long-distance advertisement. The danger is, it doesn’t take a lot of noise to substantially reduce the range at which females or other males could hear that low-frequency hoot. So the attraction radius of the display ground could contract substantially with the inability to hear a hoot.” The authors note that some species can reduce the effects of masking by shifting their vocalizations. This is especially true when members of a species are communicating with each other. However, when the sounds a species depends on emanate from another species (such as a mouse burrowing under the snow, which an owl needs to hear as it hunts), there is less room for compensation.
• Carnivores like lynx, who sit at the top of the food chain, can be particularly sensitive to habitat degradation of any type — including auditory — since each individual requires a huge hunting territory. “If one part of the range of a top-level predator is compromised, it may not take much to squeeze it out,” Fristrup said.
• Contrary to what one might expect, noise is not always more disruptive when it’s louder. Snowmobiles or cars, for example, might be less disruptive to elk or deer than a hiker or cross county skier would be. “There’s pretty good evidence that so-called quiet use can disturb wildlife. If it’s a noisy source, the animal perceives it a long way off and can track its progress. There are no surprises, and it can go on feeding or doing whatever else. A quiet sound, like a snowshoer’s footstep, is only perceptible when it is very close, potentially startling the animal,” Fristrup said.

To read AEI’s detailed lay summary of the research paper, published here in December, see this link.

In the most promising development yet in using acoustics to deal with the spread of bark beetles in the American and Canadian west, researchers at Northern Arizona University have found that some beetles can be disrupted by playback of other beetle sounds. The tiny insects make squeaking noises as they tunnel through trees; the researchers have been manipulating the beetle sounds, which are above human hearing, and playing them back to the insects. The results drive them buggy: They attack each other, scamper in circles rather than straight lines and have tried to gnaw their way through Plexiglas covering a cross section of a tree in a lab in Flagstaff, Ariz.

A great article in The Missoulan included these tidbits from NAU researchers Richard Hofstetter and Reagan McGuire, Skye Stephens, an entomologist with the Colorado State Forest Service, and David Dunn, a sound artist who discovered and first recorded the beetle sounds:

“One of the questions is if we could effectively remove them from a particular tree or set of trees, where do they go, what happens to them?” Stephens said. “I’m very excited to see what happens next” with the research. Hofstetter and McGuire are eager to run tests on the ground to answer questions like that. Working with Dunn, they have applied for a patent on a device that pumps in noise to throw off the beetles’ destructive course. Hofstetter said the sounds are at a frequency that shouldn’t bother other species. The work has been a side project for the professor, who has struggled to scrape together funding for the research. McGuire is volunteering his time. ”We’re hoping it’s going to lead to a whole new field,” Hofstetter said.

David Dunn, who has traveled the world collecting sounds of nature for his compositions, first started recording the inner life of trees in 2004. He took the kind of small microphone used in greeting cards to record and play, fastened it to a recycled meat thermometer and inserted it into the tree. While concerned about the dying trees and what they signal about climate change, Dunn has become intrigued by the beetles, “an absolutely fascinating form of life. I fell in love with them,” Dunn said. “But then we’re watching them cannibalize each other. I always think, ‘How bad is this karma?’

“But if something really positive about forest health comes of it, perhaps it’s worth the price.”

Dunn’s CD, The Sound of Light in Trees, was released by EarthEar; 100% of all sales revenues are donated by Dunn and EarthEar to support the Acoustic Ecology Institute.  See more on the CD and beetle project on AEI’s website.

I’ve just finished reading what must be the most exciting research paper I’ve seen this year, barely nudging out a similar paper addressing terrestrial noise impacts. A small group of researchers, with Chris Clark of Cornell as the lead author, took a giant step forward in addressing the impacts of ocean noise on the communication ranges of whales.  They came up with a clear and strikingly rigorous set of new metrics that will allow researchers and ocean planners to have a much more practical picture of how numerous noise sources combine to create cumulative impacts on acoustic habitat.  The new approach centers on the “Communication Space” of individual animals, as well as groups, and provides an intuitively obvious way to both imagine and assess the effects of ocean noise – measuring the area in which an animal can hear or be heard by others of its species.

My formal “lay summary” of this paper is reprinted in full below the fold, and I encourage anyone with a deep interest in ocean noise to read through that five-paragraph overview, or to download the paper yourself.  The key takeaway for those of you with a more casual interest in these issues is that in the test case that they used to illustrate their new approach, the researchers found that shipping noise has dramatically different impacts on different species, even though all three species they studied are low-frequency communicators.  In the area off Boston Harbor that they investigated, the critically endangered right whale is by far the most affected by shipping noise: on a day when two ships passed through the area (the average is often six), right whale Communication Space was reduced by an average of 84% over the course of the day, with several hours in which they could hear and be heard in an area less then 10% of that which would be expected without shipping nearby. Since right whales call back and forth to find each other as they form groups for feeding, this is truly worrying (though the key question of how a reduced communication range actually affects animals remains unanswered).  Fin whales and humpbacks were far less dramatically affected, with their Communication Spaces reduced by just 33% and 11% respectively.

These first examples focus on the effects of low-frequency shipping noise on low-frequency communication by large whales, but this approach can easily be used to address mid- or high-frequency noise sources (sonars, airguns) and higher frequency animal sounds such as those used for echolocation, opening a vast and exceedingly useful new doorway for biologists and ocean managers, as well as the general public, to appreciate the impacts of human sounds in the sea.   (click through for complete lay summary)

Read the rest of this entry »

An ongoing research project from the National Park Service Natural Sounds Program is about to publish a groundbreaking paper that outlines the many ways that even moderate increases in human background noise can create major impacts on animals.  The study proposes a new metric for use in bioacoustics research, the “effective listening area.”  This is the area over which animals can communicate with each other, or hear other animals’ calls or movements; as might be expected, animals focus especially on listening for sounds at the very edges of audibility, so that even a small increase in background noise (from a road, wind farm, or regular passing of airplanes) can drown out sounds that need to be heard.  The authors note analyses of transportation noise impacts often assert that a 3dB increase in noise – a barely perceptual change – has “negligible” effects, whereas in fact this increased noise reduces the listening area of animals by 30%. A 10dB increase in background noise (likely within a few hundred meters of a road or wind farm, or as a private plane passes nearby) reduces listening area by 90%.

In addition to introducing this important new metric, the paper provides a good overview of previous research that has addressed the impacts of moderate noise on various animals, including bats, antelope, squirrels, and birds.  The paper will be published next year, though an “in press” version is available for download.  A recent BBC article also covered this important new work.  A full detailed lay summary of this paper, as previously published on AEI’s science research page, appears below the fold: Read the rest of this entry »

Ongoing research by NOAA’s Northwest Fisheries Science Center continues to look more deeply into the effects of boat noise on Puget Sound orcas.  The research team, led by Marla Holt, had previously found that orca calls increase in volume in step with background boat noise: for each decibel of added background noise, their calls also got a decibel louder.  In their latest round of research, the team is trying to determine whether the background noise is diminishing their foraging success due to masking (drowning out) some of the critical group communication, and whether calling louder makes the animals use more energy.

Image courtesy National Geographic

A 20% population decline among the Southern Resident orcas during the late 1990’s has been attributed to a combination of fewer salmon, toxins, and vessel noise. According to a recent article on National Geographic.com, Holt, who will present the team’s preliminary findings in October at the Biennial Conference on the Biology of Marine Mammal in Quebec, said that their research indicates killer whale communication is particularly important during hunting. What’s more, previous studies in birds had suggested that the animals consume more oxygen to raise their voices above ambient noise, making their metabolic rates spike and burning up stored energy, Holt said, adding that it’s possible the same phenomenon could be occurring with killer whales, although it’s too early to know for sure.

NOAA’s recovery efforts for the orcas include new regulations that will keep whale-watching vessels 200 yards from orcas, as well as efforts to reduce toxin pollution and to restore salmon runs.  Longtime orca researcher Ken Balcomb feels it all comes down to the decline in salmon: ”If you deny them the food, [there's] basically no point in worrying about other factors,” Balcomb said. He calls the whale-watching limits “feel-good thing,” adding that “my observations over 35 years [are] that [whales] don’t really get disturbed by anything, much less vessels.”  Holt acknowledges the limits of the new regs, saying that ”a lot of people would argue, Why focus on these vessel regulations? But it’s one thing we can do immediately.”  It appears to AEI that the question is not really whether the boat noise disturbs the orcas, but whether it may drown out parts of their foraging communication, making it more difficult for them to find and eat the few salmon that do remain available to them.  And, given their tenuous situation, if they are forced to use more energy to call during hunting, their overall health is likely to be at least somewhat affected.  Moreso, each time that a particular foraging attempt is aborted due to a noise intrusion, a larger bit of the daily energy budget has gone to waste.  Time will tell whether the new boat limits actually lower the received sound levels for foraging whales; if so, it’s a step in the right direction.

Fascinating discovery of the day: music written for monkeys, based on their vocalizations, finally triggers a notable response.  What follows is straight from the website of the composer, who also makes music for cats.  You can hear an NPR story on the monkey research here.

Many previous experiments on animal response to music composed for humans (hereinafter, “human music”) have been conducted, but none of these studies had demonstrated significant responses. Very recently a study of the effect of human music on cotton-topped tamarin monkeys was conducted at Harvard. The tamarins showed a slight preference for Mozart over German “techno” music, but preferred silence to either. This study was consistent with the findings of all previous studies: animals are largely indifferent to human music.

We performed tests at the University of Wisconsin on the same species of tamarins. As with all previous studies, the tamarins showed a lack of interest in the human music. By contrast, the effect on them of the species-specific music composed by David Teie was remarkably clear and convincing. They displayed a marked increase of activity in response to the music that was designed to excite them, while the “tamarin ballad” music induced a significant calming. This calming effect was measured against the baseline of silence; they moved and vocalized less and orientated more toward the audio speakers during and immediately following the playing of the tamarin ballad.

Following are quotes from a research paper about these experiments that will soon be submitted for publication. The psychologist Charles Snowdon, who conducted the testing and authored these statements, is a highly respected but extremely cautious and skeptical scientist not normally given to making sweeping statements: “Our predictions were supported. Music composed for tamarins had a much greater effect on the behavior of tamarins than music composed for humans. …tamarins displayed significant behavioral change only to the music that was specifically composed for them and were unaffected by human music.”

To the best of our knowledge, this marks the first time that an art form has been shown by scientific test and observation to engender the measurable appreciation of any species other than human. (Ed. note: true, little science has been done; yet there have been some compelling examples of animals themselves enjoying doing art: the painting gorillas and Thai Elephant Orchestra come quickly to mind.)

After a bit of a lull, I’ve spent much of the past couple days catching up on the folder full of research published in recent months, and summarizing key papers on the main Acoustic Ecology site.  Among the studies worthy of attention are:

• The first direct test of harbor porpoise sensitivity to seismic survey airguns confirms many observations from the field that this species is especially sensitive to noise; both temporary hearing loss and avoidance of sound occur at relatively low noise levels
• Orcas and dolphins seen to reduce foraging in the presence of boat noise
• Wind turbines don’t seem to replace most small wintering farm birds, but oil development noise can reduce forest bird abundance
• Right whales summer habitat is loud most of the time, suggesting a pressing need to identify their breeding grounds and assure they can hear each other there
• Two great overviews of fish hearing

See these and more at the AEI lay summaries of new research page.

The early 2009 issue of Conservation magazine, the popular press publication of the Society for Conservation Biology, has a great overview piece on the effects of noise on animals. It focuses on changes in animal behavior and song that have been observed over the course of the past decade, drawing on studies from several different researchers. Much will be familiar to AEI regulars, but it remains highly recommended for sharing with others and for the concise overview it provides.

See the article at http://www.conservationmagazine.org/articles/v8n2/not-so-silent-spring/

Been wondering what’s up with the great “Sonar Kills Whales”/”Everything’s Fine, Just Go Away” rhetorical battle between NRDC and the Navy? As you might suspect, the reality is not nearly so neatly defined as either of them might suggest….and if you’re up for digging into it more deeply, the Acoustic Ecology Institute has just posted an AEI FactCheck that explores three key questions:

• Dead Whales: How Common?
• Behavioral Reactions: Millions of Whales Affected, or Negligible Impact
• Additional Mitigation: Common Sense Precautions or Undermining Sailor Safety?

There’s a fair dose of decoding science and regulatory details in this document, as well as acknowledgment of the underlying unspoken ethical questions that lead to radically different perspectives on the same data.

Check it out at
http://www.AcousticEcology.org/srSonarFactCheck.html
AEI is a resource/information center for sound-related environmental issues, run by editor/writer Jim Cummings (yup, that’s me…). We’ve some how managed to become friends with top scientists and agency staff, major environmental groups, and even a few folks in the Navy and oil and gas industry. More at http://AEInews.org

As a new UK Navy report suggests that beaked whales made “potentially very significant” behavioral changes in response to mid-frequency active sonar signals, a team of scientists has just completed a pilot study that involved monitoring the detailed behavior of whales during a major Naval exercise. The UK military report details observations of whale activity during Operation Anglo-Saxon 06, a submarine war-games exercise in 2006. Produced for the UK’s Defence Science and Technology Laboratory, the study used an array of hydrophones to listen for whale sounds during the war games. Across the course of the exercise, the number of whale recordings dropped from over 200 to less than 50. “Beaked whale species appear to cease vocalizing and foraging for food in the area around active sonar transmissions,” said the report.  Read the rest of this entry »

Stellwagen Sanctuary Noise Monitoring to be Model for “Sound Budget” Research Worldwide - The hydrophone array deployed in Stellwagen Bank is far more than a ship-strike warning system; it is the first large field test of what many bioacousticians have been long calling for: a global network of monitoring systems that will dramatically increase our understanding of the distribution of human noise in the world’s oceans, and the ways local animals respond. NOAA researcher Sofie Van Parijs says the Sanctuary is a perfect place to build a case study that can provide a benchmark  Read the rest of this entry »

Urban Noise Threatens Dawn Chorus and Bird Populations - European researchers are increasingly concerned about accumulating evidence that urban and suburban noise is having dramatic effects on bird populations. Some birds may be adapting by developing new behaviors, perhaps changing dramatically enough to be considered new species: nightengales sing up to 14dB more loudly in the city (some at 95dB, enough to cause discomfort to human ears), great tits are singing at a higher pitch, and robins have abandoned their noisy dawn (i.e. rush hour) chorus and now sing at night, when it is quieter. Birds must hear each other in order to mate and warn each other of predators. Declining populations of house sparrows (down by two-thirds over the past couple of decades) and overall bird populations (down 20% in the past four years) could be due to difficulty in finding mates, or abandonment of urban and suburban habitat.Source: Daily Mail, 3/26/08 [READ ARTICLE]

Digital downloads of favorite Pulse of the Planet programs - Pulse of the Planet, the long-running 2-minute public radio feature, is now offering large collections of mp3 versions of shows, grouped in popular themes. The first three sets (23-49 shoes each, priced at $5-9) focus on hurricanes and tornadoes, whales, and global warming.  [WEBPAGE]